Butterfly Burning Butterfly Burning brings the brilliantly poetic voice of Zimbabwean writer Yvonne Vera to American readers for the first time Set in Makokoba a black township in the late s the novel is an inte

  • Title: Butterfly Burning
  • Author: Yvonne Vera
  • ISBN: 9780374291860
  • Page: 158
  • Format: Paperback
  • Butterfly Burning brings the brilliantly poetic voice of Zimbabwean writer Yvonne Vera to American readers for the first time Set in Makokoba, a black township, in the late 1940s, the novel is an intensely bittersweet love story When Fumbatha, a construction worker, meets the much younger Phephelaphi, he wants her like the land beneath his feet from which birth had severButterfly Burning brings the brilliantly poetic voice of Zimbabwean writer Yvonne Vera to American readers for the first time Set in Makokoba, a black township, in the late 1940s, the novel is an intensely bittersweet love story When Fumbatha, a construction worker, meets the much younger Phephelaphi, he wants her like the land beneath his feet from which birth had severed him He in turn fills her with hope larger than memory But Phephelaphi is not satisfied with their one room love alone The qualities that drew Fumbatha to her, her sense of independence and freedom, end up separating them And the closely woven fabric of township life, where everyone knows everyone else, has a mesh too tight and too intricate to allow her to escape her circumstances on her own.Vera exploits language to peel away the skin of public and private lives In Butterfly Burning she captures the ebullience and the bitterness of township life, as well as the strength and courage of her unforgettable heroine.

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    One thought on “Butterfly Burning”

    1. I read The Stone Virgins last year and was so impressed that I decided that this one should not be too far behind. I think Vera is an important and under read writer; for a bit of background, follow this link;literatureitishcouncilThis novel is set in Bulawayo; Vera’s home town, in the late 1940s. It concerns a young woman called Phephelaphi who lives with an older man, Fumbatha, a construction worker. They live in one room; concrete and asbestos. Phephelaphi, however, is not satisfied with ju [...]

    2. Noon is too much like the middle of things, not a useful time for proposals, conclusions and disasters. Noon is just that, sunlight pouring down to melt shadows, and therefore, too many witnesses to every fall.The hope for writing lies in the writers who treat with it as a limb and not with themselves as a god. To flex composition as musculature entails the burn of acid when oxygen is rendered insufficient, the pain of tearing in the aim of new growth, the itch of healing bone and the chance of [...]

    3. When I read Under the Tongue a bunch of years ago I couldn't quite get into it. Whether it was the book or me, or both, I don't know; but Vera's writing is very busy, the kind that in a lesser writer would reek of thesaurus overuse. and at that moment I didn't quite think the payoff was worth the effort I had to make to piece it together. This time, something clicked. Which isn't to say that Butterfly Burning is straight-forward. Here's some builders at work:We are here. This is said urgently an [...]

    4. 3,8/5Μια πολύ ευχάριστη έκπληξη ήταν αυτό το βιβλίο για μένα. Το οπισθόφυλλο το αδικεί με την περιγραφή που έχει (η ελληνική έκδοση) γιατί είναι πολλά παραπάνω από μια ιστορία αγάπης.Είναι ένας καταιγισμός εικόνων του τρόπου που συνδέονται οι Αφρικανοί με τη γη, με τα στοιχεία [...]

    5. Butterfly Burning is by Yvonne Vera, a Zimbabwean novelist. I gave this novel four stars at first but then reduced it to three because I like the novel's use of poetic language and love story, but I was not enthusiastic overall about the characters. The setting of the story is the black township of Makokoba during the 1940s. The two main characters are Fumbatha, a middle aged man who lost his father at an early age. He seems to view life and all the oppression in it disinterestedly, just going t [...]

    6. This novel is like one long poem, complete with lyricism, metaphors, and all those other lovely components of poetry. At times, the resulting effect was brilliant and powerful. But at other times, the intricate language felt too complicated and unnecessary, causing me to lose any connection with the characters. Also, the first half of the book was almost unbearably slow, compared to the second half, during which all of the major action seemed to happen all at once. Yvonne Vera's style wasn't my [...]

    7. The same reason I was drawn to this book is the same reason I couldn't finish it. The language was too flowery and descriptions were too lengthy and repetitive. Often the writer would spend pages just describing the scenery that we would be completely taken away from the story. I think this would have fared better as poetry. There was so much focus on creating imagery rather than creating a story that flowed. I didn't get to the end because I felt like I was being interrupted. Maybe I will try t [...]

    8. The writing style of Butterfly Burning is beautiful. This novel will be part of my favourites to read. There are a few chapters where its difficult to read, but you have to keep on pushing. The novel can ignite many feelings and thoughts around the subjects of ownership, trust, protection, etc. After reading, I was left with wondering after your body/spirit has been violated (sexual assault, rape) is it possible ever feel that your body is yours. For women who have given birth, had miscarriages [...]

    9. This is the story of a woman who doesn't exactly fall in love with an older man, but does live with him. It is about her dreams held and unfulfilled, a past kept from her, and her choices to deal with what is dealt. There is very much a stream of consciousness approach here which does very little for the work. Perhaps a decent snapshot of awakening Africa in the 1940s.This is for people with short to read lists.

    10. Vera was a master of the language, and the prose is absolutely amazing. The story and characters are compelling too. A window to a different world.

    11. Beautifully written. Lyrical. Spare and efficient writing as a poem. I loved reading this book and "listening" to the words in my head.

    12. Good story line but just too much waffling, I read about 20% of the book before I had understood where the story was coming and going. Beautiful and artistic writing style but poor story telling skills.

    13. Good, though slightly disappointing. I've never read a book that combines such poetic eloquence with sentences that I find so irritating or metaphors that I think fall flat. At times it reads to me that she is just trying too damn hard. In some ways it is the opposite of Gilead in that I'm constantly aware of Yvonne Vera crafting each sentence as I read them.Take the following passage, from early on (page 35) when Vera first describes the death of Phephelaphi's mother."Still, she thought someone [...]

    14. The novel, Butterfly Burning by Yvonne Vera, is about a young woman living in Sidojiwe E2, Makokoba, Bulawoyo. It starts off with describing how the plot is. It talks about how they live in that little section of the small town. It is an underdeveloped place where everyone knows each other. The story is about a young woman named Phephelaphi. About her struggles as they come. It is talking about the situations and how she handles them. She lives in a room with her boyfriend, Fumbatha. The room is [...]

    15. Yvonne Vera is one of the most amazing writers I have ever read. I am writing my Masters thesis about her works.I cannot explain Vera's writing style except to declare that she has a gift with words unlike anyone else. Her stories are dark and probing. They unveil the effects of violence on women in a postcolonial setting. She blows me away.In Butterfly Burning, Pheephelaphi, the main character, struggles with the memory of her mother's death when she meets Fumbatha and he saves her. She has hig [...]

    16. Mixed emotions on this. Because of the poetic type nature of the writing style, it took reading half way through it before connecting. I usually read at night, when I'm tired, and poetic stances are lost on me. Once I connected, I really enjoyed the characters.Spoiler: It was hard to read because it talks about the hard decisions made by a woman in a difficult time. You are able to see why she made the choice, but then see the negative consequence from those choices. Those include abortion, adul [...]

    17. Tarina kertoo nuoresta zimbabwelaisesta Phephelaphista Bulawayon slummissa 1940-luvulla. Elämä ei kohtele hyvin, mutta nuorella naisella on toivon kipinä, josta hän pitää kiinni: hän haluaa sairaanhoitajaksi. Kohtalon käänteet eivät kuitenkaan ole unelmille aina niin suotuisat, vaikka kuinka suuresti toivoo.Vaikea kirja. Runollinen kieli samaan aikaan hurmaa ja ärsyttää. Paljon on merkityksiä tiiviissä tilassa. Ei tosiaan mikään välipala! Ihmettelen, miten tämä on nuorten kir [...]

    18. Under tiden som jag har läst den här boken har jag funderat på den tradiga, hyperintellektuella, alltid out-of-date-frågan: Kan det bli för poetiskt?Det här är en bok som inte innehåller en enda dålig mening. Räcker det för att boken ska vara bra?I ett försök att simma längs med karaktärerna, drunknar jag i språket. I ett försök att ta till mig poesin, glömmer jag bort historien. Och ändå: Jag tror på det hon säger.

    19. The language usage was beautiful. The voice was unique. Most of the book is written in third person, and then there's one chapter in first person. I borrowed this book from a friend who had read it for a lit class, and I'd be interested what the analysis was on the one chapter in first person. This book is not what I would consider in my normal reading "comfort zone," but I enjoyed it.

    20. I really don't know how to rate this book.I had heard great things about Yvonne Vera but for some reason, I couldn't connect to this book at all. For me, her writing style hindered the novel significantly. I do feel that this story holds great potential and there were some important issues that were touched upon but unfortunately, Vera's writing let me down.

    21. I love this book. It's about an African woman who struggles to gain autonomy and self worth in a man's world. She does it, and although her choice is drastically destructive, I'm elated at her strength and success.

    22. This is a difficult book to get into. Especially the first 100 pages. The language is beautiful, rather intricate, very descriptive, heavy on hidden meaning and metaphors. The poetic style does however eclipse the narrative. Slow first half. It's a moving life story, this is not an uplifting book.

    23. This book has stayed with me since I read it ten years ago. Vera was a brilliant writer who does much too young. I don't know how to review it without using all the money-words usually used to describe books : searing, gripping, heartbreaking, intenseIt's all of those things and more.

    24. Te poëtisch om het een heel boek zo vol te houden. Ik mis het kader van de gebeurtenissen. Wel sfeer van het leven langs de weg, minimaal huis, weinig structuur. Ik raad het niet snel een ander aan.

    25. Not as good as Without a Name. If you haven't read her books before, I suggest starting with Without a Name or Under the Tongue.

    26. This is a beautiful collection of words, and the story at the heart of it is devastating. Yet the poetic style obscures the narrative.

    27. Probably the most accessible of her books, but it's still a difficult read (because of the subject matter)

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