Grotesque Anatomies Menippean Satire Since the Renaissance Grotesque Anatomies is a study of Menippean satire in English since the Renaissance It consists of revisionist close readings of canonical works such as Eliot s The Waste Land and Pope s Dunciad amon

  • Title: Grotesque Anatomies: Menippean Satire Since the Renaissance
  • Author: David Musgrave
  • ISBN: 9781443856775
  • Page: 395
  • Format: Hardcover
  • Grotesque Anatomies is a study of Menippean satire in English since the Renaissance It consists of revisionist, close readings of canonical works such as Eliot s The Waste Land and Pope s Dunciad among others, and investigates how identifying them as Menippean satires changes our understanding of them The initial chapter offers a comprehensive account of the form from anGrotesque Anatomies is a study of Menippean satire in English since the Renaissance It consists of revisionist, close readings of canonical works such as Eliot s The Waste Land and Pope s Dunciad among others, and investigates how identifying them as Menippean satires changes our understanding of them The initial chapter offers a comprehensive account of the form from antiquity to the present day, identifying its bifurcated development in the shorter form Seneca Lucian Julian and the longer, encylopedic form Varro Petronius Boethius , and their subsequent fusion during the Renaissance It also contains an account of the critical reception of the genre, with the term Menippean satire first being used by Justus Lipsius in 1581 Finally, Menippean satire is described as a literary version of the grotesque, and a brief theory of the grotesque in the modern period as radical heterogeneity is outlined This is also the foundation of a new definition of Menippean satire, drawing on previous definitions by Frye, Bakhtin and Kirk, and revising them for the modern period The following chapters examine iconic works as examples of Menippean satire and of the grotesque Chapter 2 offers an overview of the nose in Menippean satire and comic literature generally, and reads Rushdie s Midnights Children in this context It also gives an account of metaphor as a grotesque transformation Chapter 3 examines the figure of the stomach in Menippean satire and symposiastic literature, and reads Peacock s Gryll Grange in this context The link between the stomach as a figure of thinking in comic literature is the basis for an account of symbolic structuring as grotesque association Chapter 4 is a close reading of the scatological imagery of Pope s Dunciad, and how scatology generally tends towards a cyclical metaphysics It also relates changes in print technology and copyright laws to the reticular scatological structure of the Dunciad Chapter 5 argues for Eliot s The Waste Land as a Menippean satire, focusing on the rhetorical figure of the enthymeme as a missing premise, as an example of under mindedness and as an ironic aspect of the fragmentation typical of late Romantic Menippean satires Chapter 6 examines Urquhart s eccentric The Jewel as a satire on the referential function of language, reading it in the context of projections for a universal language from this period The final chapter identifies some key works by Derrida and Barthes as Menippean satires, noting the resurgence of the form in some postmodern and deconstructive writing.

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      Published :2018-07-11T03:00:07+00:00

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