The Film Director s Intuition Script Analysis and Rehearsal Techniques Acclaimed director Judith Weston offers a deeply creative exploration on how to access and stimulate the filmmaker s most precious assets instincts imagination and intuition

  • Title: The Film Director's Intuition: Script Analysis and Rehearsal Techniques
  • Author: Judith Weston
  • ISBN: 9780941188784
  • Page: 373
  • Format: Paperback
  • Acclaimed director Judith Weston offers a deeply creative exploration on how to access and stimulate the filmmaker s most precious assets instincts, imagination, and intuition.

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      Posted by:Judith Weston
      Published :2019-02-27T11:11:16+00:00

    One thought on “The Film Director's Intuition: Script Analysis and Rehearsal Techniques”

    1. Very few books about screenwriting or directing make a serious effort to crystallize the knowledge that most screenwriters or directors know. In the CRAFTY books, I tried to crystallize what I know about screenwriting. What I find in Judith Weston's DIRECTOR'S INTUITION is a serious attempt to crystallize what film directors know. Specifically the book is about how to develop your director's intuition: what you know at a subliminal level, how you tell when an actor is bringing truth versus indic [...]

    2. I found this book to contain a lot of information. While there were big sections that seemed to almost be copy pasted, everything seemed to make sense.In some places the information, while it was clear that she was trying to be supportive, that she in a lot of places became a bit like talk down to new or unexperienced directors. I found the premise of this book to be about the actor is right and as a director it is better to let the actor do what the actor is doing than to tell them they are off [...]

    3. Still reading it, but it is very enlightening about the process of directing. Learn more about directing without telling actors the "result" you want like "be angry", instead you can guide them through actions that express the flavor of anger you want them to give you.

    4. I know nothing about acting/film/directing etc but i do know about being human. Part of me doesn't want anyone to know this information and part of me wants to tell the world. Dont read this book! If you do dont tell anyone. (evil laugh)

    5. Far inferior to her first book, Directing Actors. Lack of organization makes it hard to follow and care. Many ideas that seem like they could help, but it doesn't come through all that successfully in the writing. Don't worry, she has another book, and it's good!

    6. This is a wonderful book for directors, actors or screenwiters and an excelent companion to the author's other book, "Directing Actors" Unlike many books on filmmaking, this book brings its readers to the subject in a visceral way.

    7. I loved this book - you can apply it to any creative endeavor, to help tap into raw emotion, and also to understand other artists.

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