Americana At twenty eight David Bell is the American Dream come true He has fought his way to the top surviving office purges and scandals to become a top television executive David s world is made up of the

  • Title: Americana
  • Author: Don DeLillo
  • ISBN: 9782868698223
  • Page: 461
  • Format: Paperback
  • At twenty eight, David Bell is the American Dream come true He has fought his way to the top, surviving office purges and scandals to become a top television executive David s world is made up of the images that flicker across America s screens, the fantasies that enthrall America s imagination.And the dream and the dream making become a nightmare At the height of hisAt twenty eight, David Bell is the American Dream come true He has fought his way to the top, surviving office purges and scandals to become a top television executive David s world is made up of the images that flicker across America s screens, the fantasies that enthrall America s imagination.And the dream and the dream making become a nightmare At the height of his success, David sets out to rediscover reality Camera in hand, he journeys across the country in a mad and moving attempt to capture, to impose a pattern on his own, and America s past, present, and future.

    • Free Download [Spirituality Book] ✓ Americana - by Don DeLillo ✓
      461 Don DeLillo
    • thumbnail Title: Free Download [Spirituality Book] ✓ Americana - by Don DeLillo ✓
      Posted by:Don DeLillo
      Published :2018-08-26T16:19:05+00:00

    One thought on “Americana”

    1. I’ve now completed the set, read all DeLillo’s books. This is his first novel and though impressive as a first novel doesn’t really have much to recommend it in my eyes. It’s narrated by an obnoxious filmmaker who heads West to find his creative soul, sort of like a literary road movie. We get lots of snapshots of American life; we also get quite a lot of overwriting and a fair smattering of pretentiousness. A fascinating feature of his books is that they often begin on a more inspired p [...]

    2. I've taken a bit of a break from reading books, but this one. This one was a great novel to plunge into, head first (not realling, I knew exactly what I was jumping). Delillo is one of the first, great American, literary novelists who made me WANT to write. I still remember when I was 17 reading MAO II from a small, military library and being absolutely blown away by every paragraph. The novel practically pulsed in my hands. I felt somethhing alive in the words and something that was both danger [...]

    3. A Polished Set of PietiesMy first experience of the DeLillo-Rama was "The Names" and until now I had only read one of the earlier novels - "Great Jones Street" - though I was trying to keep up with the later novels.Little did I realise what a gem was waiting for me in "Americana", DeLillo's first novel.It's 377 pages long, divided into four parts and 12 chapters, but it reads as fluently as a novel two-thirds its size.Its relative brevity doesn't detract from its ability to explore or dramatise [...]

    4. Here is a song for this review. I like the original better, but this cover isn't too shabby either:youtube/watch?v=vX7QAnI'm going to throw out an idea. Maybe it's not really a good one, or true or maybe it's something that's obvious, which all of the above are probably the case for most of my ideas but here it goes: when you get right down to it, America is a country without history. Instead we're a nation of stories and myths. We have the stories of the founding fathers that people like Glen B [...]

    5. It seems that this has only entered the pop culture discourse as a sort of proto-American Psycho, based around the idea that its first segment is about the shallow nature of corporate America and the personality-free drones that make their fortunes within the confines of that system. I don't quite agree with that, because I think it ignores two key interlocking facets of this novel. For one, the "office politics" segment only lasts about a hundred pages, before David Bell (who most would hold as [...]

    6. Mai più! Ho provato la stessa sensazione di insofferenza e claustrofobia di quando si è obbligati ad ascoltare qualcuno che vomita parole per te senza importanza

    7. Americana von Don de Lillo - eine Enttäuschung Leider ein typisch amerikanscher episch breiter "Roman", komplett ohne Aussage, Tiefgang, Verstand, voll mit Gedankensprüngen und sinnlosen Hintergrundgeschichten, eines nach dem anderen. So wie die freundliche klischeehafte oberflächliche amerikanische Lady, die völlig geistlos aber höflich permanent vor sich hinplappert, nur um die Stille, vor der sie sich so fürchtet, mit sinnfreien Phrasen und Gschichtln zu füllen.Und das nennen die Kriti [...]

    8. Just really unbelievable that he can get away with so blatant and heavy a freudian plot point. Along with the iron-fisted relationships drawn between flashback and present action. All of it. The disastrous last act, the disastrous bookend premise of the narrator's presence. And still, STILL, a book everyone should read, especially everyone who wants to write a novel, because here is a masterful author's uniquely unmasterful first stab, since esteemed as a masterpiece for its sheer unmasterfulnes [...]

    9. Americana is DeLillo's first novel, but i cant say that it seems to be the first he wrote. it's as if he never really advanced in his writing. It's as if he chose a way of writing and stuck to it until now. Americana deals with a man, David Bell, who leaves his job in order to 'live,' but he goes on an advanture from which he never recoveres

    10. AmericanaI’ve had mixed success with award-winning American author Don DeLillo. I abandoned the first one I tried (The Body Artist) but I was very impressed by Falling Man (see my review) even though it’s a challenging book to read. I picked up Americana (1971) when I stumbled on it at the library because I have just bought a copy of award-winning Nigerian Chimamanda Ngozi Adichie’s Americanah from the Africa Book Club - and I wanted to see if she drew at all on DeLillo’s novel with a si [...]

    11. I once saw this book referenced (I no longer recall by who) as an example of the First Novels Are Most Quintessential principle. Not necessarily best, but just the most like the body of work they open. The idea has some merit, especially in this case: DeLillo has always grappled with the meaning of modernity in American life, through any number of lenses, but only in this first and aptly named version did he just plunge in head-on, laying out thematic territory we would return to again and again [...]

    12. Inizia come se il protagonista fosse uscito direttamente da "American Psycho", poi arrivi a un terzo del libro e, a ricordarti che chi scrive non è Easton Ellis, interviene il DeLillo delle opere più mature."Americana", che è il primissimo romanzo scritto dall'autore di "Underworld", non ha certo il peso né le pretese dei suoi grandi lavori successivi, a volte si perde anzi in una trama che sembra non avere una direzione precisa. Ma è proprio con questa sua indecisione che DeLillo, ancora u [...]

    13. Delillo writes about image and death and it seems that most of his characters are fascinated by war and terrorism, whether it’s David Bell from Americana or Gary Harkness of End Zone. At times it’s as if Delillo is writing thru a video camera and there’s a sense of excellent cinematography in all of Delillo’s work. Americana is Don Delillo’s first novel and I loved it but felt that the third part was lacking something, it didn’t do a lot for me and felt the other three parts were muc [...]

    14. DeLillo's debut novel is all about the real (hyperreal) stuff of America and Americana: its image(s). He still hadn't worked out the magnificent prose style of most of his later work but this book's got it's own mojo working. The major themes of this novel were revisited, in various different ways, in many (most?) of DeLillo's later work, but this novel really tears into Americana. It's like Two-Lane Blacktop and David Lynch collided head-on with, well, Don DeLillo. It's a nightmare, and nightma [...]

    15. DeLillo's debut contains the seeds of his better future novels and the remnants of typical American fiction that he would forever leave behind. The first section is an absurdist office comedy that's eerily close to "Mad Men." The second section reads like a remix of Updike or Cheever. The third is an examination of stasis and begins DeLillo's ongoing fascination with artists, representations of reality, and extreme works of art. The final section reads like "Two Lane Blacktop" scripted by Robert [...]

    16. White Noise is one of my favorites. This didn't do it for me. It's dated and was almost painful to read; all the characters are self-absorbed and one-sided. It's written almost as stream of consciousness, but grates because it's trying too hard to prove something.I am planning to read Libra soon because the concept is just too interesting. I wish I'd passed on this one though.

    17. "Tutti al mondo desiderano rassicurazione. E' la monetina che infilano nel distributore di realtà. Non importa se dal distributore esce qualcosa o meno, purché la monetina venga restituita.""L'America può essere salvata solo da ciò che cerca di distruggere""Diosalvi i poveri stronzi che stanno dalla nostra parte solo per finire ubiquizzati in frattaglie onnipervasive dalle buone intenzioni delle nostre bombe""L'inattività è il preludio a quel genere di consapevolezza che sfocia nella presa [...]

    18. Mi sono stufata. E molto anche. Questo era il mio primo approccio a DeLillo. Ed è andato decisamente male. Ci riproverò in futuro, con un altro libro. Sperando che, col tempo, come scrittore sia migliorato. Perché qui, in questo suo primo romanzo, fa veramente venire il latte alle ginocchia.

    19. Don Dellilo's works have been described as novels of ideas and I agree with that. Several of his novels have an idea/concept/contemporary social more as the base and the characters in the novel serve as props for that. (It could be consumerism/threat of nuclear warfare in 'White Noise', power of the mob/television in 'Mao II'. )However this is not to give an impression that Dellilo is trying to shove things down the readers throat, not at all. On the other hand, it seems to me like he has someth [...]

    20. I read this years ago, and quite liked it - though it is not really his best book. There a wonderful part in it where the writer is making a film and has written the script on the walks of the motel room he is in and gets the actor to read the script as he uses the camera to either film the actor or pan the text on the walls. His books are filled with incredibly strong images that stay with your for years and years.

    21. I had not previously read any of DeLillo’s work when, as I sat perplexed in my office late on a Monday afternoon wondering what to listen to next during my lengthy daily commute, while browsing my awesome library’s mind-boggling collection of electronic audiobooks, I stumbled across Americana. Hmm, I thought, the title is eye-catching, and the blurb sounds intriguing, so why not give it a whirl?While Americana was downloading to my trusty Kindle, I did some quick research on DeLillo and lear [...]

    22. I really wanted to like this book. I remember when I read DeLillo's book "Libra" that I had been completely enamored with his prose. It was a really good book, and he had a penchant for detail that was completely unmatched. And the prose in Americana is good, but I just didn't like it as much. It's not DeLillo's best.There are a lot of good things I can say about the book. I did love his repetition of icons and ideas that really are associated with Americana: the cheap hotel room, the idea of fe [...]

    23. Americana is a brilliant book - akin in its imagery rich rants to Philip Roth's Portnoy's Complaint. It is experimental satire of high order; a book written in a more blessed time when a major publisher would risk printing a first novel that follows none of the predictable maxims of storytelling. It is a novel without villain unless that villain is at times the narrator, David Bell, himself. Bell in essence goes on a physical cross-country quest to remedy a growing disenchantment with his world [...]

    24. It's been ages since I read any DeLillo and so going back and reading his first book was an odd experience. Clearly I wasn't going to get something on the scale of Underworld which, at least in memory, is an amazing book but I was hoping for something as good as White Noise. For some reason this didn't quite get there for me. The writing style is consistently good and hits brilliant heights in places - I loved the sections on the main character's pal who does talk radio in a complete monologue i [...]

    25. Exquisite. Prescient. An incredible debut from the best living American novelist. Like Mad Men's Don Draper, DeLillo's David Bell doesn't know who he is, and like Draper he is largely a fiction to himself and the world (though not as ostensibly as Draper). His journey of discovery tears him down while holding a mirror up to ourselves, our culture. The whole novel, for me, was a prequel to a single anecdotal story related by a secondary character (Sullivan) toward the end. What a writer DeLillo i [...]

    26. If "Mad Men" were to continue on for another five/ten years, or worse, do a spin-off, "Americana" would be its jumping of the shark. I really wanted to like this book. But I just couldn't connect. David wasn't doing it for me. There is a great line though, (thus two stars and not one), "The whole country's going to puke blood when they read it." I wish I had that sort of visceral reaction to "Americana." Seriously, the fictional novel Brand was referring to, "Coitus Interruptus," sounded like a [...]

    27. Call me a bad person, but this is my favorite DeLillo. I get what he does with the hyper-flat parodically-inane dialogue in the White Noise period, and some of his jokes are genuinely funny, but I never really get into his mature work. This, however, has all the seams showing: him trying to write a kinda countercultural post-Beat novel with a dollop of his later style while parodying life in an advertising firm. Throw in some parodies of "real America" and a weird indie film and serve chilled. L [...]

    28. DeLillo's language is there in this his first novel, and I loved it. This was my 5th DeLillo and all of them have there strong suits. Americana is a study of a lost and wandering mind trapped inside itself in our main character, David Bell. This representation of success driving into wanderlust and searching is familiar to me, being a middle aged middle management parent and husband.There's something about DeLillo that sticks to me after I read his novels and there are certain scenes and phrases [...]

    29. I chose to read this because DeLillo's odds of winning the Nobel Prize jumped days before it was awarded and I was curious to see what DeLillo's writing was like at the beginning of his career. I found the novel enjoyable, very much of the time, sometimes beautifully written, but maddeningly uneven. Nearly halfway through, I realized that I had lost interest in the novel and put it aside. Perhaps I’ll pick it up again some day.

    Leave a Reply

    Your email address will not be published. Required fields are marked *